Actually remixed from a pattern on Pixabay. But then noticed a very similar one on Openclipart.org uploaded by btj51q2.
Source Firkin
Derived from an image that was uploaded to Pixabay by TheDigitalArtist
Source Firkin
Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Prismatic Groovy Concentric Background 5
Source GDJ
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
A bit of scratched up grayness. Always good.
Source Dmitry
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Adapted heavily from a JPG that was uploaded to Pixabay by Viscious-Speed.
Source Firkin
Coming in at 666x666px, this is an evil big pattern, but nice and soft at the same time.
Source Atle Mo
Submitted in a cream color, but you know how I like it.
Source Devin Holmes
A seamless pattern the unit cell for which can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Prismatic Abstract Geometric Background 4
Source GDJ
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Number 1 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
An alternative colour scheme to the original seamless pattern.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
I took the liberty of using Dmitry’s pattern and made a version without perforation.
Source Atle Mo
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
A floral background formed from numerous clones of flower 117.
Source Firkin