Background formed from the original with an emboss effect.
Source Firkin
Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
This is so subtle: We’re talking 1% opacity. Get your squint on!
Source Atle Mo
A seamless web texture of "green stone".
Source V. Hartikainen
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
Fake or not, it’s quite luxurious.
Source Factorio.us Collective
A slightly more textured pattern, medium gray. A bit like a potato sack?
Source Bilal Ketab
Number 5 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
The act or state of corrugating or of being corrugated, a wrinkle; fold; furrow; ridge.
Source Anna Litvinuk
Zero CC tileable yellow craft paper; scanned and made by me. CC0
Source Sojan Janso
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing of the coat of arms of the Ottoman Empire on Wikimedia.
Source Firkin
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Formed from decorative divider 184 in paint.net. Vectorised with Vector Magic.
Source Firkin
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin
Detailed but still subtle and quite original. Lovely gray shades.
Source Kim Ruddock
Remixed from a drawing in 'Paul's Sister', Frances Peard, 1889.
Source Firkin
Used correctly, this could be nice. Used in a bad way, all hell will break loose.
Source Atle Mo
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin