Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
From a drawing in 'Gately's World's Progress', Charles Beale, 1886.
Source Firkin
Used correctly, this could be nice. Used in a bad way, all hell will break loose.
Source Atle Mo
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Prismatic Polyskelion Pattern No Background
Source GDJ
From a drawing in 'Worsborough; its historical associations and rural attractions', Joseph Wilkinson, 1879.
Source Firkin
Prismatic Floral Pattern 3 Variation 3 No Background
Source GDJ
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Prismatic Floral Background No Black
Source GDJ
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Cubes as far as your eyes can see. You know, because they tile.
Source Jan Meeus
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Pixel by pixel, sharp and clean. Very light pattern with clear lines.
Source M.Ashok
This one is so simple, yet so good. And you know it. Has to be in the collection.
Source Gluszczenko
Embossed lines and squares with subtle highlights.
Source Alex Parker
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Seamless Green Tile Background
Source V. Hartikainen