To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
Not so subtle. These tileable wood patterns are very useful.
Source Elemis
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Number 2 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
I love these crisp, tiny, super subtle patterns.
Source Badhon Ebrahim
Prismatic Abstract Geometric Background 5
Source GDJ
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Did some testing with Repper Pro tonight, and this gray mid-tone pattern came out.
Source Atle Mo
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I. Version with black background.
Source Firkin
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
Lovely pattern with splattered vintage speckles.
Source David Pomfret
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Simple wide squares with a small indent. Fits all.
Source Petr Šulc.
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin