More Textures
Background pattern 249 #2179
 Blue  CC 0

To get the tile this is made up from select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Background pattern 9 (B&W) #212
 Dark  CC 0

Black & white version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net

Source Firkin

Prismatic Geometric Tessellation Pattern 3 No Background@2X #556
 Noise  CC 0

Prismatic Geometric Tessellation Pattern 3 No Background

Source GDJ

Prismatic Hexagonalist Pattern No Background #390
 Light  CC 0

Prismatic Hexagonalist Pattern No Background

Source GDJ

Paper 2 #21
 Paper  CC BY-SA 3.0

New paper pattern with a slightly organic feel to it, using some thin threads.

Source Atle Mo

Decorative divider 218 #2232
 Dark  CC 0

Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.

Source Firkin

Noisy #45
 Paper  CC BY-SA 3.0

Looks a bit like concrete with subtle specks spread around the pattern.

Source Mladjan Antic

Paper texture filter #149
 Paper  CC 0

Filter simulating the texture of heavy paper.

Source Kelan

Seamless Prismatic Quadrilateral Line Art Pattern No Background #379
 Diamond  CC 0

Seamless Prismatic Quadrilateral Line Art Pattern No Background

Source GDJ

Noise Pattern With Subtle Cross Lines #179
 Grid  CC BY-SA 3.0

More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.

Source Viszt Péter

Background pattern 213 #2412
 Dark  CC 0

A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Prismatic Groovy Concentric Background 2@2X #454
 Noise  CC 0

Prismatic Groovy Concentric Background 2

Source GDJ

Floral pattern 7 (colour 4) #2288
 Green  CC 0

Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Vintage pattern #1961
 Grid  CC 0

Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.

Source Firkin