From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
Element of beach pattern with background.
Source Rones
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
A very slick dark rubber grip pattern, sort of like the grip on a camera.
Source Sinisha
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i
Source Firkin
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
I have no idea how to describe this one, but it’s light and delicate.
Source JBasoo
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin
The name Paisley reminds me of an old British servant. That’s just me.
Source Swetha
Colour version of the original pattern.
Source Firkin
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Zero CC tileable bark texture, photographed and made by me. CC0
Source Sojan Janso
A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).
Source GDJ
Oh yes, it happened! A pattern in full color.
Source Atle Mo
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
This background has abstract texture with some similarities to wood.
Source V. Hartikainen
Looks like an old rug or a computer chip.
Source Patutin Sergey
A pale olive green background with a seamless texture.
Source V. Hartikainen
Prismatic Curved Diamond Pattern 7 No Background
Source GDJ
Same classic 45-degree pattern, dark version.
Source Luke McDonald