More Textures
Prismatic Rounded Squares Grid 4 No Background #491
 Noise  CC 0

Prismatic Rounded Squares Grid 4 No Background

Source GDJ

Background pattern 333 #1741
 Noise  CC 0

The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i

Source Firkin

fishnet 01 #2475
 Grid  CC 0

The image depicts a seamless pattern of a fishnet with a plenty of fish.It may be a lucky charm for fishermen.

Source Yamachem

Background pattern 225 #2327
 Colorful  CC 0

Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Background pattern 266 #2068
 Dark  CC 0

Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.

Source Firkin

Background pattern 315 (colour 6) #1840
 Green  CC 0

The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i

Source Firkin

Background pattern 208 (colour 2) #2462
 Grid  CC 0

A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Fabric 1@2X #10
 Light  CC BY-SA 3.0

Semi-light fabric pattern made out of random pixels in shades of gray.

Source Atle Mo

Psychedelic Geometric Background #381
 Noise  CC 0

Psychedelic Geometric Background.

Source GDJ

Concrete Wall 3 #93
 Light  CC BY-SA 3.0

All good things come in threes, so I give you the third in my little concrete wall series.

Source Atle Mo

Leather 1 #13
 Light  CC BY-SA 3.0

A leather pattern with a hint of yellow.

Source Atle Mo

“Transparent” Background Pattern@2X #494
 Light  CC 0

An emulated “transparent” background pattern, like that of all kinds of computer graphics software.

Source AdamStanislav

Micro Carbon #7
 Carbon  CC BY-SA 3.0

Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.

Source Atle Mo

MBossed@2X #194
 Grid  CC BY-SA 3.0

Embossed lines and squares with subtle highlights.

Source Alex Parker