A large (588x375px) sand-colored pattern for your ever-growing collection. Shrink at will.
Source Alex Tapein
A simple example on using clones. You can generate a nice base for a pattern fill quickly with it.
Source Lazur URH
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
Abstract Stars Geometric Pattern Prismatic No Background
Source GDJ
The image depicts polka dot seamless pattern.
Source Yamachem
Remix from a drawing in 'Ostatnie chwile powstania styczniowego', Zygmunt Sulima, 1887.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
New paper pattern with a slightly organic feel to it, using some thin threads.
Source Atle Mo
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
A car pattern?! Can it be subtle? I say yes!
Source Radosław Rzepecki
Snap! It’s a pattern, and it’s not grayscale! Of course you can always change the color in Photoshop.
Source Atle Mo
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
A mid-tone gray pattern with some cement looking texture.
Source Hendrik Lammers
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
I love cream! 50x50px and lovely in all the good ways.
Source Thomas Myrman
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A seamless pattern formed from a rectangular tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Derived from a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
An alternative colour scheme to the original seamless pattern.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae