From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
A bit like some carbon, or knitted netting if you will.
Source Anna Litvinuk
This pack of filters can help you adding a blocky overlay to objects. May come handy at drawing blocks of stone.
Source Lazur URH
Sometimes you just need the simplest thing.
Source Fabricio
Prismatic Geometric Tessellation Pattern No Background
Source GDJ
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Remixed from a raster on Pixabay, that was uploaded by ArtsyBee.
Source Firkin
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Oh yes, it happened! A pattern in full color.
Source Atle Mo
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Prismatic Groovy Concentric Background 2
Source GDJ
A hint of orange color, and some crossed and embossed lines.
Source Adam Anlauf
Prismatic Groovy Concentric Background 3
Source GDJ
Prismatic Curved Diamond Pattern 2 No Background
Source GDJ
A dark striped seamless pattern suitable for use as a background on websites.
Source V. Hartikainen
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Dark, crisp and subtle. Tiny black lines on top of some noise.
Source Wilmotte Bastien
From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.
Source Firkin