A seamless textured paper for backgrounds. Colored in pale orange hues.
Source V. Hartikainen
A browner version of the original weathered fence texture.
Source Firkin
Traced from a drawing in 'Household Stories from the Collection of the Brothers Grimm', Wilhelm Carl Grimm , 1882.
Source Firkin
Prismatic Groovy Concentric Background 2 No Black
Source GDJ
A free black metallic background pattern. Here's a new pattern I made that looks metallic.
Source V. Hartikainen
A seamless pattern the starting point for which was a 'light rays' rendering in Paint.net.
Source Firkin
This seamless background image should look nice on websites. It has a dark blue gray texture with vertical stripes, it tiles seamlessly and, like all of the background images here, it's free. So, if you like it, take it!
Source V. Hartikainen
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
With a name like this, it has to be hot. Diagonal lines in light shades.
Source Isaac
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
Number 3 in a series of 5 beautiful patterns. Can be found in colors on the submitter’s website.
Source Janos Koos
Abstract Ellipses Background Grayscale
Source GDJ
A textured blue background pattern with vertical stripes.
Source V. Hartikainen
A set of paper filters. The base texture is generated the same way, only the compositing mode is varied.
Source Lazur URH
A free background pattern with abstract green tiles.
Source V. Hartikainen
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
This is a semi-dark pattern, sort of linen-y.
Source Sagive SEO
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
That’s what it is, a dark dot. Or sort of carbon looking.
Source Tsvetelin Nikolov
Crossing lines with a subtle emboss effect on a dark background.
Source Stefan Aleksić
A nice one indeed, but I have a feeling we have it already? If you spot a copy, let me know on Twitter.
Source Graphiste