A seamless pattern formed from a rectangular tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
This is so subtle you need to bring your magnifier!
Source Carlos Valdez
You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Light gray version of the Binding pattern that looks a bit like fabric.
Source Newbury
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Sometimes simple really is what you need, and this could fit you well.
Source Factorio.us Collective
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic
Source Firkin
Medium gray fabric pattern with 45-degree lines going across.
Source Atle Mo
If you want png files of this u can download them here : viscious-speed.deviantart.com/gallery/27635117
Source Viscious-Speed
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin