I love the movie Pineapple Express, and I’m also liking this Pineapple right here.
Source Audee Mirza
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
You know, tiny and sharp. I’m sure you’ll find a use for it.
Source Atle Mo
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Inspired by a 1930s wallpaper pattern I saw on TV.
Source Firkin
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
Non-seamless pattern drawn in Paint.net and vectorised in Vector Magic.
Source Firkin
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
Hexagonal dark 3D pattern. What more can you ask for?
Source Norbert Levajsics
Prismatic Isometric Cube Wireframe Pattern No Background
Source GDJ
A new take on the black linen pattern. Softer this time.
Source Atle Mo
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Stefan is hard at work, this time with a funky pattern of squares.
Source Stefan Aleksić
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
It looks very nice I think.
Source V. Hartikainen
A seamless pattern based on a rectangular tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
New paper pattern with a slightly organic feel to it, using some thin threads.
Source Atle Mo
Abstract Arbitrary Geometric Background derived from an image on Pixabay.
Source GDJ
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin