Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
In the spirit of WWDC 2011, here is a dark iOS inspired linen pattern.
Source Atle Mo
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
Wasn't satisfied with the original's colouring. Too much component transfer and colormatrixes yet the results are lacking a bit. So this time it is a simple black to transparent fade, making it possible remixing easily once there will be other blending modes supported as well. Probably in inkscape 0.92.
Source Lazur URH
Green Background Pattern
Source V. Hartikainen
I know there is one here already, but this is sexy!
Source Gjermund Gustavsen
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
A seamless tessellation pattern. To get the tile this is formed from, select the pattern in Inkscape and use shift+alt+i.
Source Firkin
Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
Prismatic Hexagonalist Pattern No Background
Source GDJ
A web texture of brown canvas. Will look great, when used in dark web designs.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Alternative colour scheme for the original floral pattern.
Source Firkin
A seamless textured paper for backgrounds. Colored in pale orange hues.
Source V. Hartikainen