Turn your site into a dragon with this great scale pattern.
Source Alex Parker
Black And White Floral Pattern Background Inverse
Source GDJ
Super detailed 16×16 tile that forms a beautiful pattern of straws.
Source Pavel
This was submitted in a beige color, hence the name. Now it’s a gray paper pattern.
Source Konstantin Ivanov
Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
Nothing like a clean set of bed sheets, huh?
Source Badhon Ebrahim
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
A dark gray, sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
A simple circle. That’s all it takes. This one is even transparent, for those who like that.
Source Saqib
A blue gray fabric-like texture for websites. An yet another fabric-like texture. It has subtle vertical and diagonal stripes to it.
Source V. Hartikainen
Prismatic Floral Background No Black
Source GDJ
It’s big, it’s gradient—and it’s square.
Source Brankic1979
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Remixed from a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
The classic 45-degree diagonal line pattern, done right.
Source Jorick van Hees
That’s what it is, a dark dot. Or sort of carbon looking.
Source Tsvetelin Nikolov
A repeating graphic with ancient pattern. I came up with this name/title at last minute, so you may find that there is very little of ancientness in this pattern after all.
Source V. Hartikainen
A dark one with geometric shapes and dotted lines.
Source Mohawk Studios
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
With a name this awesome, how can I go wrong?
Source Nikolay Boltachev