A seamless paper background texture colored in pale yellow. This seamless texture is ideal for those who need a yellow background image for their website. The texture resembles paper.
Source V. Hartikainen
The tile for this is based on a repeating unit close to a design on Pixabay. It can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
The green fibers pattern will work very well in grayscale as well.
Source Matteo Di Capua
Zero CC tileable bark texture, photographed and made by me. CC0
Source Sojan Janso
Some more diagonal lines and noise, because you know you want it.
Source Atle Mo
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
I scanned a paper coffee cup. You know, in case you need it.
Source Atle Mo
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
Almost like little fish shells, or dragon skin.
Source Graphiste
From a drawing in 'Cowdray: the history of a great English House', Julia Roundell, 1884.
Source Firkin
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Formed by distorting the inside front cover of 'Diversæ insectarum volatilium : icones ad vivum accuratissmè depictæ per celeberrimum pictorem', Jacob Hoefnagel, 1630.
Source Firkin
Looks like an old wall. I guess that’s it then?
Source Viahorizon
This ons is quite old school looking. Retro, even. I like it.
Source Arno Declercq
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin