More Textures
Glassy Orange Pattern #1315
Orange CC BY-SA 3.0This pattern comes in orange, and it looks as if it is "made of glass".
Source V. Hartikainen
Colorful Floral Background 3 No Black@2X #486
Light CC 0Colorful Floral Background 3 No Black
Source GDJ
Floral background 2 #380
Wall CC 0Background formed from the original with an emboss effect
Source GDJ
Metal Background Pattern With Rivets #1085
Metal CC BY-SA 3.0This metal background pattern resembles a metal plate with rivets. Solid rivets on a metal plate.
Source V. Hartikainen
"Black Chains", Gloomy Background #1082
Metal CC BY-SA 3.0A repeating gloomy background image. This one consists of a pattern of black chains layered on top of a dark textured background.
Source V. Hartikainen
Checkered Light Emboss@2X #281
Grid CC BY-SA 3.0Sort of like the Photoshop transparent background, but better!
Source Alex Parker
Background pattern 266 #2068
Dark CC 0Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.
Source Firkin
Decorative divider 222 #2208
Dark CC 0Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
regular hexagon pattern #2541
Grid CC 0The image depicts a pattern of regular hexagon.As I made to use it for myself,I want to others to use it.Speaking about the ratio of the image, height : width = 2 : √3(1.732...)Ridiculous to say,I realized later that this image is not honey comb pattern.I have to slide the second row.
Source Yamachem
Vintage pattern 2 #2295
Yellow CC 0Inspired by a pattern seen on a public domain image of a very old tile. To get the unit cell, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Background pattern 314 (colour 4) #1836
Blue CC 0The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Brick #1375
Wall CC 0Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Fruit on a branch #1968
Dark CC 0From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin