You know you love wood patterns, so here’s one more.
Source Richard Tabor
Awesome name, great pattern. Who does not love space?
Source Nick Batchelor
A smooth mid-tone gray, or low contrast if you will, linen pattern.
Source Jordan Pittman
Prismatic Abstract Geometric Background 2 No Black
Source GDJ
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Formed by distorting a JPG from PublicDomainPictures
Source Firkin
A light brushed aluminum pattern for your pleasure.
Source Tim Ward
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
A seamless background pattern of dark brown wood planks.
Source V. Hartikainen
Prismatic Triangular Background Design Mark II 5
Source GDJ
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
A dark pattern made out of 3×3 circles and a 1px shadow. This works well as a carbon texture or background.
Source Atle Mo
A tile-able background for websites with paper-like texture and a grid pattern layered on top of it.
Source V. Hartikainen
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
Dark blue concrete wall with some small dust spots.
Source Atle Mo
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Prismatic Abstract Background Design No Black
Source GDJ
A version without colours blended together to give a different look.
Source Firkin