Geometric triangles seem to be quite hot these days.
Source Pixeden
Not so subtle. These tileable wood patterns are very useful.
Source Elemis
A classic dark tile for a bit of vintage darkness.
Source Listvetra
This ons is quite old school looking. Retro, even. I like it.
Source Arno Declercq
This background image has seamless texture that resembles a surface of gray stone.
Source V. Hartikainen
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Light gray paper pattern with small traces of fiber and some dust.
Source Atle Mo
This is indeed a bit strange, but here’s to the crazy ones!
Source Christopher Buecheler
The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
This seamless web background texture looks like gray stone. It's great for using as a background image on web pages, or on some of their elements. Anyway, I hope you will find use for it.
Source V. Hartikainen
A beautiful dark padded pattern, like an old classic sofa.
Source Chris Baldie
Horizontal and vertical lines on a light gray background.
Source Adam Anlauf
An alternative colour scheme to the original seamless pattern.
Source Firkin
The image depicts a seamless pattern of a Japanese family crest called "chidori" in Japanese .A chidori in Japanese means a plover in English.
Source Yamachem
A blue gray fabric-like texture for websites. An yet another fabric-like texture. It has subtle vertical and diagonal stripes to it.
Source V. Hartikainen
Colour version of the original pattern inspired by the front cover of 'Old and New Paris', Henry Edwards, 1894.
Source Firkin