Floral patterns might not be the hottest thing right now, but you never know when you need it!
Source Lauren
Nice little grid. Would work great as a base on top of some other patterns.
Source Arno Gregorian
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
This one is so simple, yet so good. And you know it. Has to be in the collection.
Source Gluszczenko
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A free seamless background texture that looks like a brown stone wall.
Source V. Hartikainen
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
A large (588x375px) sand-colored pattern for your ever-growing collection. Shrink at will.
Source Alex Tapein
Dark, lines, noise, tactile. You get the drift.
Source Anatoli Nicolae
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
From a drawing in 'Chambéry à la fin du XIVe siècle', Timoleon Chapperon, 1863.
Source Firkin
Colour version that is close to the original drawing uploaded to Pixabay by pencilparker.
Source Firkin
Utilising a bird from s-light and some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless pattern the starting point for which was a 'rainbow twist' texture in Paint.net.
Source Firkin
Black version of a pattern that came out of playing with the 'light rays' plug-in for Paint.net
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Zero CC tileable ground cracked, crackled, texture, made by me.
Source Sojan Janso
Inspired by a drawing in 'Kulturgeschichte', Freidrich Hellwald, 1896.
Source Firkin