Prismatic Groovy Concentric Background 5 #465
 Dark  CC 0

Prismatic Groovy Concentric Background 5

Source GDJ

 More Textures
Tactile Noise #5
 Dark  CC BY-SA 3.0

A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.

Source Atle Mo

Decorative divider 283 (version 2) #1855
 Dark  CC 0

Remixed from a drawing in 'In an Enchanted Island', William Mallock, 1892.

Source Firkin

Starring #585
 Dark  CC BY-SA 3.0

If you need stars, this is the one to get.

Source Agus Riyadi

Sports car pattern #2442
 Red  CC 0

A seamless pattern formed from a sports car on clker.com. To get the tile, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Background pattern 223 (colour 2) #2352
 Blue  CC 0

Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Background pattern 277 (colour) #2031
 Orange  CC 0

A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.

Source Firkin

Retro Circles Background 7@2X #432
 Unknow  CC 0

Retro Circles Background 7

Source GDJ

Prismatic Curved Diamond Pattern 4 No Background #541
 Diamond  CC 0

Prismatic Curved Diamond Pattern 4 No Background

Source GDJ

Triangles #127
 Dark  CC BY-SA 3.0

Dark and hard, just the way we like it. Embossed triangles makes a nice pattern.

Source Ivan Ginev

Tessellation 16 (colour 6) #2210
 Colorful  CC 0

The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i

Source Firkin

Colourful background #2009
 Colorful  CC 0

Made by distorting a simple pattern using the 'sin waves' plugin for Paint.net and vectorising in Vector Magic

Source Firkin

Decorative divider 271 #1923
 Dark  CC 0

Remixed from a drawing in 'Incidents on a Journey through Nubia to Darfoor', F. Ensor, 1891.

Source Firkin

Small Crackle Bright #352
 Light  CC BY-SA 3.0

Light gray pattern with an almost wall tile-like appearance.

Source Markus Tinner