Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
This is the remix of "Background pattern 115" uploaded by "Firkin".Thanks.
Source Yamachem
This is the remix of "blue wave-seigaiha".This is the flowers of pink silk tree which is called "nemuno-ki".About pink silk tree ,refer to here:https://jp.pinterest.com/pin/500744052301210439/
Source Yamachem
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
A gray background pattern with a texture of textile. Suits perfectly for web design.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
An alternative colour scheme for the original background.
Source Firkin
Lovely pattern with some good-looking non-random noise lines.
Source Zucx
Seamless Prismatic Quadrilateral Line Art Pattern No Background
Source GDJ
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.
Source Josh Green
Prismatic Basic Pattern 2 No Background
Source GDJ
From a drawing in 'La Principauté de Liège et les Pays-Bas au XVIe siècle', Société des Bibliophiles Liégeois ,1887.
Source Firkin
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
A dark gray, sandy pattern with small light dots, and some angled strokes.
Source Atle Mo
I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.
Source Atle Mo
Not strictly seamless in that opposite edges are not identical. But they do marry up to make an interesting pattern
Source Firkin
More in the paper realm, this time with fibers.
Source Jorge Fuentes
That’s what it is, a dark dot. Or sort of carbon looking.
Source Tsvetelin Nikolov
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin