This makes me wanna shoot some pool! Sweet green pool table pattern.
Source Caveman
A seamless pattern formed from a sports car on clker.com. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A background tile of dark textile. Made this a long time ago and just now decided to publish it.
Source V. Hartikainen
Super dark, crisp and detailed. And a Kill Bill reference.
Source Badhon Ebrahim
Submitted in a cream color, but you know how I like it.
Source Devin Holmes
Prismatic Groovy Concentric Background No Black
Source GDJ
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Paper pattern with small dust particles and 45-degree strokes.
Source Atle Mo
Remixed from a drawing in 'Works. Popular edition', John Ruskin, 1886.
Source Firkin
Sharp diamond pattern. A small 24x18px tile.
Source Tom Neal
Wild Oliva or Oliva Wilde? Darker than the others, sort of a medium dark pattern.
Source Badhon Ebrahim
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Works. Popular edition', John Ruskin, 1886.
Source Firkin
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
A seamless marble-like texture colored in light blue.
Source V. Hartikainen
Like the name says, light and gray, with some small dots and circles.
Source Brenda Lay
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Zero CC plastic pattern texture, photographed and made by me. CC0 *Note, this texture was on the perfectly smooth surface of a plastic shovel scraper, not sure how to call it. Plz coment if you know what its called.
Source Sojan Janso
A background pattern inspired by designs seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin