A subtle shadowed checkered pattern. Increase the lightness for even more subtle sexiness.
Source Josh Green
From a drawing in 'Worsborough; its historical associations and rural attractions', Joseph Wilkinson, 1879.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor
Seamless pattern formed from a tile that can be extracted by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
The image is a remix of "edo pattern-samekomon".I changed the color of dots from black to white and added BG in light-brown.
Source Yamachem
This is the remix of "polka dot seamless pattern".The image depicts polka dot seamless pattern.
Source Yamachem
A pattern formed from a squared tile. The tile can be accessed in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
One can never have too few rice paper patterns, so here is one more.
Source Atle Mo
Light gray pattern with an almost wall tile-like appearance.
Source Markus Tinner
The basic shapes never get old. Simple triangle pattern.
Source Atle Mo
It’s a hole, in a pattern. On your website. Dig it!
Source Josh Green
This is so subtle you need to bring your magnifier!
Source Carlos Valdez
Has nothing to do with toast, but it’s nice and subtle.
Source Pippin Lee
Super detailed 16×16 tile that forms a beautiful pattern of straws.
Source Pavel
Dark blue concrete wall with some small dust spots.
Source Atle Mo
Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
From an image on opengameart.org shared by rubberduck.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin
A bit strange this one, but nice at the same time.
Source Diogo Silva