A seamless pattern made from the gold Penrose triangle by GDJ and the two remixes
Source Firkin
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin
Prismatic Hexagonalist Pattern No Background
Source GDJ
Fabric-ish patterns are close to my heart. French Stucco to the rescue.
Source Christopher Buecheler
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Sort of like the back of a wooden board. Light, subtle, and stylish, just the way we like it!
Source Nikolalek
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Greyscale version of a pattern that came out of playing with the 'slinky' plug-in for Paint.net
Source Firkin
A bit like some carbon, or knitted netting if you will.
Source Anna Litvinuk
Prismatic Polka Dots Mark II 2 No Background
Source GDJ
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
Colored maple leaves scattered on a surface. This is tileable, so it can be used as a background or wallpaper.
Source Eady
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Here's a dark background pattern that contains a steel grid pattern as a texture. Use it as a website background or for other purposes. It's free!
Source V. Hartikainen
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Used the 6th circle pattern designed by Viscious-Speed to create a print that can be used for card making or scrapbooking. Save as a PDF file for the best printing option.
Source Lovinglf
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
Dare I call this a «flat pattern»? Probably not.
Source Dax Kieran
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin