From an image on opengameart.org shared by rubberduck.
Source Firkin
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
The name Paisley reminds me of an old British servant. That’s just me.
Source Swetha
And some more testing, this time with Seamless Studio. It’s Robots FFS!
Source Seamless Studio
Background Wall, Art Abstract, Star Well & CC0 texture.
Source Ractapopulous
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
A seamless texture of an abstract wall colored in shades of light orange brown.
Source V. Hartikainen
Derived from a PNG that was uploaded to Pixabay by nutkitten
Source Firkin
A seamless stone-like background for blogs or any other type of websites.
Source V. Hartikainen
Remixed from a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
Geometric triangles seem to be quite hot these days.
Source Pixeden
Tweed is back in style – you heard it here first. Also, the @2X version here is great!
Source Simon Leo
From an image on opengameart.org shared by rubberduck.
Source Firkin
You could get a bit dizzy from this one, but it might come in handy.
Source Dertig Media
Fake or not, it’s quite luxurious.
Source Factorio.us Collective
One of the few full-color patterns here, but this one was just too good to pass up.
Source Alexey Usoltsev
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin