More Textures
Seamless Wood Pattern #889
 Wood  CC BY-SA 3.0

A seamlessly repeating background pattern of wood. The image is procedurally generated, and, I think, it's turned out quite well.

Source V. Hartikainen

Background pattern 227 (colour 6) #2309
 Red  CC 0

A seamless background drawn in Paint.net and vectorised with Vector Magic. The starting point was a photograph of drinking straws from Pixabay.

Source Firkin

Background pattern brown #1951
 Brown  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Retina Wood #923
 Wood  CC BY-SA 3.0

I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.

Source Atle Mo

Rough Cloth #312
 Fabric  CC BY-SA 3.0

More tactile goodness. This time in the form of some rough cloth.

Source Bartosz Kaszubowski

Prismatic Geometric Tessellation Pattern 2 No Background@2X #554
 Noise  CC 0

Prismatic Geometric Tessellation Pattern 2 No Background

Source GDJ

Leather 1 #13
 Light  CC BY-SA 3.0

A leather pattern with a hint of yellow.

Source Atle Mo

Micro Carbon #7
 Carbon  CC BY-SA 3.0

Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.

Source Atle Mo

fishnet 01 #2475
 Grid  CC 0

The image depicts a seamless pattern of a fishnet with a plenty of fish.It may be a lucky charm for fishermen.

Source Yamachem

Decorative divider 271 #1923
 Dark  CC 0

Remixed from a drawing in 'Incidents on a Journey through Nubia to Darfoor', F. Ensor, 1891.

Source Firkin

Tessellation 16 #2215
 Yellow  CC 0

The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.

Source Firkin

Floral pattern 7 #2291
 Pink  CC 0

Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

WaveCut@2X #76
 Light  CC BY-SA 3.0

If you like it a bit trippy, this wave pattern might be for you.

Source Ian Soper