From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
From a drawing of the coat of arms of the Ottoman Empire on Wikimedia.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless pattern created from a square tile. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Imagine you zoomed in 1000X on some fabric. But then it turned out to be a skeleton!
Source Angelica
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Don’t look at this one too long if you’re high on something.
Source Luuk van Baars
Medium gray fabric pattern with 45-degree lines going across.
Source Atle Mo
Prismatic Abstract Geometric Background 5 No Black
Source GDJ
Dark pattern with some nice diagonal stitched lines crossing over.
Source Ashton
Zero CC tileable Crackled Cement (streaks) texture, photographed and made by me. CC0
Source Sojan Janso
Snap! It’s a pattern, and it’s not grayscale! Of course you can always change the color in Photoshop.
Source Atle Mo
Remixed from a drawing in 'Line and form", Walter Crane, 1914.
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin