From a drawing in 'Les Chroniqueurs de l'Histoire de France depuis les origines jusqu'au XVIe siècle', Henriette Witt, 1884.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
Prismatic Curved Diamond Pattern 3 No Background
Source GDJ
One more sharp little tile for you. Subtle circles this time.
Source Blunia
Could be paper, could be a Polaroid frame – up to you!
Source Chaos
The tile this fill pattern is based on can be had by using shift+alt+i on the rectangle.
Source Firkin
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
From a drawing in 'Bond Slaves. The story of a struggle.', Isabella Varley, 1893.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
From a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892.
Source Firkin
More in the paper realm, this time with fibers.
Source Jorge Fuentes
Basket Fibers, Basket Texture, Braid Background style CC0 texture.
Source 1A-Photoshop
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
Remixed from a drawing in 'The Canadian horticulturist', 1892
Source Firkin
A bit like smudged paint or some sort of steel, here is scribble light.
Source Tegan Male
emixed from a JPG that was uploaded to Pixabay by Kyotime
Source Firkin
ZeroCC tileable stone texture, edited from pixabay. CC0
Source Sojan Janso
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Just like the black maze, only in light gray. Duh.
Source Peax
From a drawing in 'Prose and Verse ', William Linton, 1836.
Source Firkin