More Textures
Diagonal Noise@2X #182
 Fabric  CC BY-SA 3.0

A simple but elegant classic. Every collection needs one of these.

Source Christopher Burton

Small Crosses #115
 Stripes  CC BY-SA 3.0

Sharp pixel pattern looking like some sort of fabric.

Source Dmitry

Nami #575
 Dark  CC BY-SA 3.0

Not sure if this is related to the Nami you get in Google image search, but hey, it’s nice!

Source Dertig Media

Background pattern 235 (colour 6) #2250
 Red  CC 0

To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.

Source Firkin

Parquet flooring pattern #2427
 Red  CC 0

A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.

Source Firkin

Floral pattern 9 #2043
 Dark  CC 0

The tile can be had by selecting the rectangle in Inkscape and using shift+alt+i. Remixed from a drawing in 'Flowers of Song', Frederick Weatherly, 1895.

Source Firkin

Prismatic Floral Background No Black@2X #476
 Light  CC 0

Prismatic Floral Background No Black

Source GDJ

Background pattern 226 (colour 2) #2320
 Green  CC 0

A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Colorful Paw Prints Pattern Background #260
 Noise  CC 0

pixabay.

Source GDJ

edo pattern-samekomon #2271
 Dark  CC 0

The image depicts an edo-era pattern called "same-komon" or "鮫小紋"which looks like a shark skin.The "same" in Japanese means shark in English.

Source Yamachem

Background pattern 309 (colour 2) #1865
 Blue  CC 0

Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.

Source Firkin

Hexagonal pattern (colour) #2378
 Yellow  CC 0

A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.

Source Firkin

Gun Metal@2X #361
 Dark  CC BY-SA 3.0

With a name this awesome, how can I go wrong?

Source Nikolay Boltachev