An orange vertically striped background pattern. Feel free to download and use this orange background pattern, for example, on the web). It resembles a wallpaper with vertical stripes or something similar to it.
Source V. Hartikainen
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
Derived from an image that was uploaded to Pixabay by pugmom40
Source Firkin
Light gray paper pattern with small traces of fiber and some dust.
Source Atle Mo
The rectangular tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
A dark pattern made out of 3×3 circles and a 1px shadow. This works well as a carbon texture or background.
Source Atle Mo
Here's an yet another seamless note paper texture for use as a background on websites.
Source V. Hartikainen
From a drawing in 'Codogno e il suo territorio nella cronaca e nella storia'', Gio and Giarella Cairo, 1897.
Source Firkin
This is a grid, only it’s noisy. You know. Reminds you of those printed grids you draw on.
Source Vectorpile
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Sort of reminds me of those old house wallpapers.
Source Tish
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Remixed from a drawing that was uploaded to Pixabay by captenpub.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A textured blue background pattern with vertical stripes.
Source V. Hartikainen
Formed by heavily distorting part of a an image of a fish uploaded to Pixabay by GLady
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Zerro CC tillable texture of stones photographed and made by me. CC0
Source Sojan Janso
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor
These dots are already worn for you, so you don’t have to.
Source Matt McDaniel