A seamless background texture of old cardboard.
Source V. Hartikainen
A seamless background tile of aged paper with shabby look.
Source V. Hartikainen
More carbon fiber for your collections. This time in white or semi-dark gray.
Source Badhon Ebrahim
Prismatic Triangular Background Design Mark II 5
Source GDJ
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
This is a remix of "blue wave-seigaiha".I hope this subtle color version of Seigaiha would be suitable for background .
Source Yamachem
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
"Beige Stone", Tileable Texture.
Source V. Hartikainen
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The tile this is based on can be retrieved by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
The image depicts an edo-era pattern called "same-komon" or "鮫小紋"which looks like a shark skin.The "same" in Japanese means shark in English.
Source Yamachem
Prismatic Geometric Pattern Background 2
Source GDJ
I’m not going to use the word Retina for all the new patterns, but it just felt right for this one. Huge wood pattern for ya’ll.
Source Atle Mo
Seamless Light Background Texture.
Source V. Hartikainen
More tactile goodness. This time in the form of some rough cloth.
Source Bartosz Kaszubowski
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
A white version of the very popular linen pattern.
Source Ant Ekşiler
A seamless pattern from a tile drawn in Paint.net and vectorised in Vector Magic
Source Firkin
Zero CC tileable bark texture, photographed and made by me. CC0
Source Sojan Janso
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin