Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
From a drawing of the coat of arms of the Ottoman Empire on Wikimedia.
Source Firkin
Prismatic Hypnotic Pattern No Background
Source GDJ
Greyscale version of a pattern that came out of playing with the 'slinky' plug-in for Paint.net
Source Firkin
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A seamless pattern from a tile made from a jpg on Pixabay. To get the tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A dark background pattern/texture of a dimpled metal plate.
Source V. Hartikainen
A seamless pattern of dark bricks. Maybe it's not very realistic, but it looks good in my opinion.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Otis Ray Redding was an American soul singer-songwriter, record producer, arranger, and talent scout. So you know.
Source Thomas Myrman
Did anyone say The Hoff? This pattern is in no way related to Baywatch.
Source Josh Green
Background formed from the iconic plastic construction bricks that gave me endless hours of fun when I was a lad.
Source Firkin
Not a flat you live inside, like in the UK – but a flat piece of cardboard.
Source Appleshadow
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
Seamless Light Background Texture.
Source V. Hartikainen
Simple combination of stripy squares with their negatively coloured counterparts
Source Firkin
Light gray paper pattern with small traces of fiber and some dust.
Source Atle Mo
More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
From a drawing in 'Uit de geschiedenis der Heilige Stede te Amsterdam', Yohannes Sterck, 1898.
Source Firkin
A version without colours blended together to give a different look.
Source Firkin
A grayscale fabric pattern with vertical lines of stitch holes.
Source V. Hartikainen
From a drawing in 'Gately's World's Progress', Charles Beale, 1886.
Source Firkin