More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
Can never have too many knitting patterns, especially as nice as this.
Source Victoria Spahn
Abstract Geometric Monochrome Pattern Prismatic No Background
Source GDJ
A seamless pattern formed from a square tile based on a jpg on Pixabay. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
One more from Badhon, sharp horizontal lines making an embossed paper feeling.
Source Badhon Ebrahim
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
A seamless pattern recreated from an image on Pixabay. It is reminiscent of parquet flooring and is formed from a square tile, which can be recovered in Inkscape by selecting the ungrouped rectangle and using shift-alt-I together.
Source Firkin
Remix from a drawing in 'Ostatnie chwile powstania styczniowego', Zygmunt Sulima, 1887.
Source Firkin
Traced from a drawing in 'Household Stories from the Collection of the Brothers Grimm', Wilhelm Carl Grimm , 1882.
Source Firkin
A simple but elegant classic. Every collection needs one of these.
Source Christopher Burton
This light background pattern has a texture of "frozen" surface with diagonal stripes. Here's an yet another addition to the collection of free website backgrounds.
Source V. Hartikainen
There are many carbon patterns, but this one is tiny.
Source Designova
Derived from an image that was uploaded to Pixabay by Darkmoon1968
Source Firkin
Beautiful dark noise pattern with some dust and grunge.
Source Vincent Klaiber
Remixed from a drawing in 'Some account of the Worshipful Company of Ironmongers', John Nicholl, 1866.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor