Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A seamless pattern drawn originally in Paint.net by distorting a slice of background pattern 116 and copying the resulting triangle numerous times.
Source Firkin
Everyone loves a diamond, right? Make your site sparkle.
Source AJ Troxell
Just what the name says, paper fibers. Always good to have.
Source Heliodor jalba
Seamless pattern the tile for which can be had by using shift-alt-I on the selected rectangle in Inkscape.
Source Firkin
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
Pass parameters to the URL or edit the source code variables to configure the graph paper for the division desired.
Source JayNick
A web texture of brown canvas. Will look great, when used in dark web designs.
Source V. Hartikainen
Love the style on this one, very fresh. Diagonal diamond pattern. Get it?
Source INS
Remixed from a JPG that was uploaded to Pixabay by susanlu4esm
Source Firkin
From a drawing in 'Cassell's Library of English Literature', Henry Morley, 1883.
Source Firkin
Here's a subtle marble-like background for use on websites.
Source V. Hartikainen
Alternative colour scheme. Not a pattern for fabrics, but one produced from a jpg of a stack of fabric items that was posted on Pixabay. The tile that this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Used a cherry by doctormo to make this seamless pattern
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor