This is a grid, only it’s noisy. You know. Reminds you of those printed grids you draw on.
Source Vectorpile
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
It has waves, so make sure you don’t get sea sickness.
Source CoolPatterns
A very dark spotted twinkle pattern for your twinkle needs.
Source Badhon Ebrahim
Recreated from a pattern found in 'Az Osztrák-Magyar Monarchia irásban és képben', 1882. To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
A background tile of dark textile. Made this a long time ago and just now decided to publish it.
Source V. Hartikainen
Sharp pixel pattern, just like the good old days.
Source Paridhi
A dark pattern made out of 3×3 circles and a 1px shadow. This works well as a carbon texture or background.
Source Atle Mo
Actually remixed from a pattern on Pixabay. But then noticed a very similar one on Openclipart.org uploaded by btj51q2.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Retro Circles Background 5 No Black
Source GDJ
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
Prismatic Geometric Pattern Background 2 No Black
Source GDJ
All good things come in threes, so I give you the third in my little concrete wall series.
Source Atle Mo
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Might not be super subtle, but quite original in its form.
Source Alex Smith
The image a seamless pattern derived from a weed which I can't identify.The original weed image is from here:https://jp.pinterest.com/pin/500744052301423641/
Source Yamachem
A seamless pattern formed from a tile made from page ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
From a drawing in 'Hyde Park from Domesday-Book to date', John Ashton, 1896.
Source Firkin