An aged paper background tile with smeared and pressed text.
Source V. Hartikainen
You can never get enough of these tiny pixel patterns with sharp lines.
Source Designova
This one is something special. I’d call it a flat pattern, too. Very well done, sir!
Source GetDiscount
Zero CC tileable bark texture, photographed and made by me. CC0
Source Sojan Janso
Derived from a drawing in 'The Murmur of the Shells', Samuel Cowen, 1879.
Source Firkin
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A brown seamless wood texture in a form of stripe pattern. The result has turned out pretty well, in my opinion.
Source V. Hartikainen
There are quite a few grid patterns, but this one is a super tiny grid with some dust for good measure.
Source Dominik Kiss
You were craving more leather, so I whipped this up by scanning a leather jacket.
Source Atle Mo
Remixed from a design seen in 'Burghley. The Life of William Cecil', William Charlton, 1857.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
A white version of the very popular linen pattern.
Source Ant Ekşiler
Prismatic Hexagonalism Pattern No Background
Source GDJ
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-I.
Source Firkin
This one takes you back to math class. Classic mathematic board underlay.
Source Josh Green
Clean and crisp lines all over the place. Wrap it up with this one.
Source Dax Kieran
Colorful Floral Background No Black
Source GDJ
Imagine you zoomed in 1000X on some fabric. But then it turned out to be a skeleton!
Source Angelica
To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
Remixed from a drawing that was uploaded to Pixabay by ractapopulous
Source Firkin
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin