More Textures
Seamless 3D Isometric Tessellation Pattern 2 #147
 Light  CC 0

A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).

Source GDJ

Diamond pattern 2 (colour 6) #2261
 Colorful  CC 0

From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.

Source Firkin

Leafy pattern (colour) #2334
 Fabric  CC 0

To get the tile this is based on, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Decorative divider 217 #2233
 Dark  CC 0

Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.

Source Firkin

MBossed #193
 Grid  CC BY-SA 3.0

Embossed lines and squares with subtle highlights.

Source Alex Parker

Prismatic Groovy Concentric Background #449
 Noise  CC 0

Prismatic Groovy Concentric Background

Source GDJ

Noise Pattern With Subtle Cross Lines@2X #180
 Grid  CC BY-SA 3.0

More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.

Source Viszt Péter

Elastoplast@2X #283
 Light  CC BY-SA 3.0

A fun-looking elastoplast/band-aid pattern. A hint of orange tone in this one.

Source Josh Green

Dotnoise Light Grey #308
 Wall  CC BY-SA 3.0

Sort of like the back of a wooden board. Light, subtle, and stylish, just the way we like it!

Source Nikolalek

Background pattern 332 #1742
 Noise  CC 0

The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i

Source Firkin

Zig-zag pattern #2418
 Grid  CC 0

A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.

Source Firkin

blue wave-seigaiha #2535
 Blue  CC 0

The image depicts the Japanese Edo pattern called "seigaiha" or "青海波" meaning "blue -sea- wave".I hope it's suitable for the summer season.

Source Yamachem

Background pattern 223 (colour 3) #2351
 Green  CC 0

Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin