A seamless light gray paper texture with horizontal double lines.
Source V. Hartikainen
A mid-tone gray pattern with some cement looking texture.
Source Hendrik Lammers
Derived from an image that was uploaded to Pixabay by TheDigitalArtist
Source Firkin
The square tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Zero CC tileable hard cover cells book texture, 4k, scanned and made by me. CC0
Source Sojan Janso
Washi (和紙?) is a type of paper made in Japan. Here’s the pattern for you!
Source Carolynne
Some rectangles, a bit of dust and grunge, plus a hint of concrete.
Source Atle Mo
Kaleidoscope Prismatic Abstract No Background
Source GDJ
It’s okay to be square! A nice light gray pattern with random squares.
Source Waseem Dahman
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
I’m not going to lie – if you submit something with the words Norwegian and Rose in it, it’s likely I’ll publish it.
Source Fredrik Scheide
Prismatic Hexagonalist Pattern No Background
Source GDJ
This is a more minute version of "fishnet 01".The image depicts a seamless pattern of a fishnet with a plenty of fish.It may be a lucky charm for fishermen.
Source Yamachem
A seamless web texture with illustration of pale color stains on canvas.
Source V. Hartikainen
Here's a bluish gray striped background pattern for use on web sites.
Source V. Hartikainen
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
A car pattern?! Can it be subtle? I say yes!
Source Radosław Rzepecki
Prismatic Geometric Pattern Background No Black
Source GDJ
Background formed from the iconic plastic construction bricks that gave me endless hours of fun when I was a lad.
Source Firkin
A very slick dark rubber grip pattern, sort of like the grip on a camera.
Source Sinisha
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
Embossed lines and squares with subtle highlights.
Source Alex Parker