Remixed from a drawing in 'Maidenhood; or, the Verge of the Stream', Laura Jewry, 1876.
Source Firkin
From a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i.
Source Firkin
A seamless chequerboard pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Alternative colour scheme.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Vector version of a png that was uploaded to Pixabay by pencilparker
Source Firkin
Zero CC tileable hard cover red book, scanned and made by me. CC0
Source Sojan Janso
I’m starting to think I have a concrete wall fetish.
Source Atle Mo
Geometric lines are always hot, and this pattern is no exception.
Source Listvetra
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
To get the tile this is based on select the rectangle in Inkscape and use shift-alt-i
Source Firkin
From a drawing in 'From Snowdon to the Sea. Striking stories of North and South Wales', Marie Trevelyan, 1895.
Source Firkin
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
You know I’m a sucker for these. Well-crafted paper pattern.
Source Mihaela Hinayon
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
It almost looks a bit blurry, but then again, so are fishes.
Source Petr Šulc
Very dark pattern with some noise and 45-degree lines.
Source Stefan Aleksić
A free seamless background with pink spots.
Source V. Hartikainen
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
To get the repeating unit, select the rectangle in Inkscape and use shift+alt+i
Source Firkin
Simple wide squares with a small indent. Fits all.
Source Petr Šulc.
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin