Zero CC tileable Laminate wood texture, photographed and made by me. CC0
Source Sojan Janso
A pale orange background pattern with glossy groove stripes.
Source V. Hartikainen
Luxurious looking pattern (for a T-shirt maybe?) with a hint of green.
Source Simon Meek
Here's an yet another seamless note paper texture for use as a background on websites.
Source V. Hartikainen
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
A series of 5 patterns. That’s what the P stands for, if you didn’t guess it.
Source Dima Shiper
A pattern derived from repeating unit cells each derived from part of a fractal rendering in paint.net.
Source Firkin
Pass parameters to the URL or edit the source code variables to configure the graph paper for the division desired.
Source JayNick
An alternative colour scheme to the original seamless pattern.
Source Firkin
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
Simple wide squares with a small indent. Fits all.
Source Petr Šulc.
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
Psychedelic Geometric Background No Black
Source GDJ
This was formed by distorting an image of a background on Pixabay.
Source Firkin
The Grid. A digital frontier. I tried to picture clusters of information as they traveled through the computer.
Source Haris Šumić
You know you can’t get enough of these linen-fabric-y patterns.
Source James Basoo
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
Like the name says, light and gray, with some small dots and circles.
Source Brenda Lay
This one takes you back to math class. Classic mathematic board underlay.
Source Josh Green
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i. Derived from a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin