Prismatic Abstract Geometric Background 2
Source GDJ
Simple gray checkered lines, in light tones.
Source Radosław Rzepecki
To get the tile this is formed from select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
One more from Badhon, sharp horizontal lines making an embossed paper feeling.
Source Badhon Ebrahim
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
From a drawing in 'Art Embroidery', M.S. Lockwood and E. Glaister, 1878.
Source Firkin
Washi (和紙?) is a type of paper made in Japan. Here’s the pattern for you!
Source Carolynne
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
This is so subtle you need to bring your magnifier!
Source Carlos Valdez
Fake or not, it’s quite luxurious.
Source Factorio.us Collective
A seamless pattern formed from cross 4. To get the original tile select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
I guess this is inspired by the city of Ravenna in Italy and its stone walls.
Source Sentel
A nice one indeed, but I have a feeling we have it already? If you spot a copy, let me know on Twitter.
Source Graphiste
A seamless dark leather-like background texture with diagonal lines that look like stitches.
Source V. Hartikainen
First pattern tailor-made for Retina, with many more to come. All the old ones are upscaled, in case you want to re-download.
Source Atle Mo
From a drawing in 'A Life Interest', Mrs Alexander, 1888.
Source Firkin
White little knobs, coming in at 10x10px. Sweet!
Source Amos
To get the tile this is based on, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
An emulated “transparent” background pattern, like that of all kinds of computer graphics software.
Source AdamStanislav
A classic dark tile for a bit of vintage darkness.
Source Listvetra
The unit cell for this seamless pattern can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin