Heavily remixed from a drawing in 'Barbara Leybourne; a story of eighty years ago', Sarah Hamer, 1889.
Source Firkin
A bit simplified version. Although it could be edited out to be simpler. Anyway, this time the tiling is converted to a pattern fill -which is using clipping for the tile's edges.
Source Lazur URH
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
You know, tiny and sharp. I’m sure you’ll find a use for it.
Source Atle Mo
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Prismatic Geometric Pattern Background 2 No Black
Source GDJ
Same as the black version, but now in shades of gray. Very subtle and fine grained.
Source Atle Mo
A beautiful dark wood pattern, superbly tiled.
Source Omar Alvarado
A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.
Source Firkin
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
I skipped number 3, because it wasn’t all that great. Sorry.
Source Dima Shiper
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Classic vertical lines, in all its subtlety.
Source Cody L
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
A slightly grainy paper pattern with small horizontal and vertical strokes.
Source Atle Mo
Remixed from a raster on Pixabay that was uploaded by ArtsyBee.
Source Firkin
Remixed from an image that was uploaded to Pixabay by Pixeline
Source Firkin
Prismatic Geometric Tessellation Pattern No Background
Source GDJ
Alternative colour scheme for the original floral pattern.
Source Firkin
Super detailed 16×16 tile that forms a beautiful pattern of straws.
Source Pavel
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin
Derived from a drawing in 'Elfrica. An historical romance of the twelfth century', Charlotte Boger, 1885
Source Firkin