A seamless marble-like texture colored in light blue.
Source V. Hartikainen
Embossed lines and squares with subtle highlights.
Source Alex Parker
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
More bright luxury. This is a bit larger than fancy deboss, and with a bit more noise.
Source Viszt Péter
One more from Badhon, sharp horizontal lines making an embossed paper feeling.
Source Badhon Ebrahim
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo
Run a restaurant blog? Here you go. Done.
Source Andrijana Jarnjak
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Luxury pattern, looking like it came right out of Paris.
Source Daniel Beaton
A background formed from an image of an old tile on the New York Metropolitan Museum of Art website. To get the base tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
A simple circle. That’s all it takes. This one is even transparent, for those who like that.
Source Saqib
Simple combination of stripy squares with their negatively coloured counterparts
Source Firkin
Formed by heavily distorting part of a an image of a fish uploaded to Pixabay by GLady
Source Firkin
Bumps, highlight and shadows – all good things.
Source Badhon Ebrahim
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
From a drawing in 'Worsborough; its historical associations and rural attractions', Joseph Wilkinson, 1879.
Source Firkin
The original enhanced with one of Inkscapes's filters.
Source Firkin
Derived from an image that was uploaded to Pixabay by Kaz
Source Firkin
Little x’es, noise and all the stuff you like. Dark like a Monday, with a hint of blue.
Source Tom McArdle
This is lovely, just the right amount of subtle noise, lines and textures.
Source Richard Tabor