This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
A seamless pattern formed from a tile made from page ornament 22. To get the tile, select the rectangle in Inkscape and use shift+alt+i.
Source Firkin
Remixed from a drawing in 'Sun Pictures of the Norfolk Broads', Ernest Suffling, 1892. The tile this is based on can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
The act or state of corrugating or of being corrugated, a wrinkle; fold; furrow; ridge.
Source Anna Litvinuk
Light gray grunge wall with a nice texture overlay.
Source Adam Anlauf
Because I love dark patterns, here is Brushed Alum in a dark coating.
Source Tim Ward
Prismatic Abstract Geometric Background 2 No Black
Source GDJ
A new one called white wall, not by me this time.
Source Yuji Honzawa
Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
Prismatic Floral Pattern 3 Variation 3 No Background
Source GDJ
Fabric-ish patterns are close to my heart. French Stucco to the rescue.
Source Christopher Buecheler
A seamless pattern formed from background pattern 102
Source Firkin
Carbon fiber is never out of fashion, so here is one more style for you.
Source Alfred Lee
Prismatic Polka Dots Mark II 2 No Background
Source GDJ
A seamless pattern the starting point for which was a 'colour modulo' texture in Paint.net.
Source Firkin
Looks like a technical drawing board: small squares forming a nice grid.
Source We Are Pixel8
Geometric lines are always hot, and this pattern is no exception.
Source Listvetra
A seamless light gray paper texture with horizontal double lines.
Source V. Hartikainen
Very simple, very blu(e). Subtle and nice.
Source Seb Jachec
Light gray paper pattern with small traces of fiber and some dust.
Source Atle Mo
Sort of reminds me of those old house wallpapers.
Source Tish
CC0 and a seamless pattern from a tile drawn in Paint.net .
Source SliverKnight
From a drawing in 'Two Women in the Klondike', Mary Hitchcock, 1899.
Source Firkin