A bit strange this one, but nice at the same time.
Source Diogo Silva
Sometimes simple really is what you need, and this could fit you well.
Source Factorio.us Collective
This one is rather fun and playful. The 2X could be used at 1X too!
Source Welsley
A series of 5 patterns. That’s what the P stands for, if you didn’t guess it.
Source Dima Shiper
One more from Badhon, sharp horizontal lines making an embossed paper feeling.
Source Badhon Ebrahim
You know, tiny and sharp. I’m sure you’ll find a use for it.
Source Atle Mo
Might not be super subtle, but quite original in its form.
Source Alex Smith
A seamless pattern formed from background pattern 102
Source Firkin
He influenced us all. “Don’t be sad because it’s over. Smile because it happened.”
Source Atle Mo
Different from the original in being a simple tile stored as a pattern definition, rather than numerous repeated objects. Hence easy and quick to give this pattern to objects of different shapes. To get the tile in Inkscape, select the rectangle and use shift+alt+i.
Source Firkin
Zero CC bark from fur tree tileable texture, photographed and made by me. CC0
Source Sojan Janso
Design drawn in Paint.net, vectorised using Vector Magic and finished in Inkscape.
Source Firkin
The image depicts a shell seamless pattern.I used an OCAL clipart called "Shell" uploaded by "jgm104".Thanks.
Source Yamachem
One more sharp little tile for you. Subtle circles this time.
Source Blunia
Remixed from a JPG that was uploaded to Pixabay by theasad121
Source Firkin
A heavy dark gray base, some subtle noise and a 45-degree grid makes this look like a pattern with a tactile feel to it.
Source Atle Mo
A dark striped seamless pattern suitable for use as a background on websites.
Source V. Hartikainen
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
Inspired by an image that was uploaded to Pixabay by geralt
Source Firkin
From a drawing in 'Resa i Afrika, genom Angola, Ovampo och Damaraland', P. Moller, 1899.
Source Firkin