Bigger is better, right? So here you have some large carbon fiber.
Source Factorio.us Collective
Three shades of gray makes this pattern look like a small carbon fiber surface. Great readability even for small fonts.
Source Atle Mo
Can’t believe we don’t have this in the collection already! Slick woven pattern with crisp details.
Source Max Rudberg
Remixed from a design seen on Pixabay. The basic tile can be had by selecting the rectangle in Inkscape and using shift+alt+i
Source Firkin
This seamless light brown background texture resembles a wallpaper with vertical stripes. One way to use it is as a tiled background on web sites.
Source V. Hartikainen
Thin lines, noise and texture creates this crisp dark denim pattern.
Source Marco Slooten
A very slick dark rubber grip pattern, sort of like the grip on a camera.
Source Sinisha
Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
A grayscale fabric pattern with vertical lines of stitch holes.
Source V. Hartikainen
From a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin
A seamlessly tileable pink background texture.
Source V. Hartikainen
This is a seamless pattern which is derived from a flower petal image.
Source Yamachem
Embossed lines and squares with subtle highlights.
Source Alex Parker
A repeatable image with dark background and metal grid pattern.
Source V. Hartikainen
The image depicts a seamless pattern which includes hexagonally-aligned gourds with BG in light-brown.
Source Yamachem
Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.
Source Firkin
You don’t see many mid-tone patterns here, but this one is nice.
Source Joel Klein
Used in small doses, this could be a nice subtle pattern. Used on a large surface, it’s dirty!
Source Paul Reulat
There are quite a few grid patterns, but this one is a super tiny grid with some dust for good measure.
Source Dominik Kiss
Remixed from a drawing in 'In an Enchanted Island', William Mallock, 1892.
Source Firkin