ZeroCC tileabel stone granite texture, edited from pixabay. CC0
Source Sojan Janso
A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
This was formed by distorting an image of a background on Pixabay.
Source Firkin
From a design in 'Storia del Palazzo Vecchio in Firenze', Aurelio Gotti, 1889.
Source Firkin
On a large canvas you can see it tiling, but used on smaller areas, it’s beautiful.
Source Paul Phönixweiß
Remixed from a drawing in 'The March of Loyalty', Letitia MacClintock, 1884.
Source Firkin
Formed from decorative divider 184 in paint.net. Vectorised with Vector Magic.
Source Firkin
Remixed from a drawing in 'Prehistoric Man: researches into the origin of civilisation in the old and the new world', Daniel Wilson, 1876.
Source Firkin
Prismatic Polka Dots Mark II 3 No Background
Source GDJ
A new take on the black linen pattern. Softer this time.
Source Atle Mo
A rusty grunge background for websites. Feel free to use it in your site's theme.
Source V. Hartikainen
The tile this is formed from can be retrieved in Inkscape by selecting the rectangle and using shift+alt+i
Source Firkin
To celebrate the new feature, we need some sparkling diamonds.
Source Atle Mo
A seamless pattern based on a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper
The image depicts a seamless pattern of a Japanese family crest called "chidori" in Japanese .A chidori in Japanese means a plover in English.
Source Yamachem
A monochrome pattern from a tile that can be had by selecting the rectangle in Inkscaope and using shift+alt+i
Source Firkin
So tiny, just 7 by 7 pixels – but still so sexy. Ah yes.
Source Dmitriy Prodchenko
Remixed from a drawing in 'A Child of the Age', Francis Adams, 1894.
Source Firkin
From a drawing in 'Codogno e il suo territorio nella cronaca e nella storia'', Gio and Giarella Cairo, 1897.
Source Firkin