More leather, and this time it’s bigger! You know, in case you need that.
Source Elemis
Sharp pixel pattern looking like some sort of fabric.
Source Dmitry
It almost looks a bit blurry, but then again, so are fishes.
Source Petr Šulc
Sometimes simple really is what you need, and this could fit you well.
Source Factorio.us Collective
Produced using the clouds, flames and glass blocks plug-ins in Paint.net and the resulting .PNG vectorised with Vector Magic.
Source Firkin
Very simple, very blu(e). Subtle and nice.
Source Seb Jachec
Remixed from a drawing in 'Prehistoric Man: researches into the origin of civilisation in the old and the new world', Daniel Wilson, 1876.
Source Firkin
Background formed from the iconic plastic construction bricks that gave me endless hours of fun when I was a lad.
Source Firkin
A re-make of the Gradient Squares pattern.
Source Dimitar Karaytchev
Drawn in Paint.net using the kaleidoscope plug-in and vectorised.
Source Firkin
Derived from elements found in a floral ornament drawing on Pixabay.
Source Firkin
White circles connecting on a light gray background.
Source Mark Collins
From a drawing in 'Picturesque New Guinea', J Lindt, 1887.
Source Firkin
Smooth Polaroid pattern with a light blue tint.
Source Daniel Beaton
From a drawing in 'Studies for Stories', Jean Ingelow, 1864.
Source Firkin
Don’t look at this one too long if you’re high on something.
Source Luuk van Baars
Love the style on this one, very fresh. Diagonal diamond pattern. Get it?
Source INS
Not sure if this is related to the Nami you get in Google image search, but hey, it’s nice!
Source Dertig Media
The tile for this is based on a repeating unit close to a design on Pixabay. It can be had by selecting the rectangle in Inkscape and using shift-alt-i.
Source Firkin
Looks a bit like concrete with subtle specks spread around the pattern.
Source Mladjan Antic
Sort of like the Photoshop transparent background, but better!
Source Alex Parker
A car pattern?! Can it be subtle? I say yes!
Source Radosław Rzepecki
From a drawing in 'Line and form', Walter Crane, 1914.
Source Firkin