More Textures
Prismatic Basic Pattern 2 No Background #447
 Noise  CC 0

Prismatic Basic Pattern 2 No Background

Source GDJ

Brushed Alum Dark@2X #66
 Dark  CC BY-SA 3.0

Because I love dark patterns, here is Brushed Alum in a dark coating.

Source Tim Ward

Floral pattern 7 (colour 5) #2287
 Green  CC 0

Utilising some flowers from Almeidah. To get the unit tile, select the rectangle in Inkscape and use shift-alt-i.

Source Firkin

Shapes pattern #2409
 Brown  CC 0

A seamless pattern formed from a square tile. The tile can be retrieved by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Decorative divider 194 #2478
 Dark  CC 0

From a drawing in 'Friend or Fortune? The story of a strange year', Robert Overton, 1897.

Source Firkin

Colourful bricks pattern (no background) #265
 Noise  CC 0

Original minus the background

Source Firkin

Hexagonal pattern #2379
 Dark  CC 0

A seamless pattern formed from a tile that can be had in Inkscape by selecting the rectangle and using shift+alt+i.

Source Firkin

Seamless Prismatic Pythagorean Line Art Pattern No Background #569
 Light  CC 0

Seamless Prismatic Pythagorean Line Art Pattern No Background. A seamless pattern that includes the original tile (go to Objects / Pattern / Pattern To Objects in Inkscape's menu to extract it).

Source GDJ

Abstract Arbitrary Geometric Background #497
 Noise  CC 0

Abstract Arbitrary Geometric Background derived from an image on Pixabay.

Source GDJ

Fancy Deboss #177
 Fabric  CC BY-SA 3.0

Luxury pattern, looking like it came right out of Paris.

Source Daniel Beaton

Background pattern 223 (colour 2) #2352
 Blue  CC 0

Seamless pattern formed from a tile that can be had by selecting the rectangle in Inkscape and using shift-alt-i.

Source Firkin

Vintage pattern #1957
 Grid  CC 0

Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.

Source Firkin

Background pattern 215 (colour 3) #2369
 Pink  CC 0

A grid of squares with green colours. Since the colours are randomly distributed it is automatically seamless.

Source Firkin