Seamless , tileable CC-0 texture. Created by my own, feel free to use wherever you want!
Source Linolafett
This one is super crisp at 2X. Lined paper with some dust and scratches.
Source HQvectors
From a design found in 'History of the Virginia Company of London; with letters to and from the first Colony, never before printed', Edward Neill, 1869.
Source Firkin
A seamless web texture with illustration of pale color stains on canvas.
Source V. Hartikainen
Seamless pattern formed from a square tile that can be retrieved in Inkscape by selecting the rectangle and using shift-alt-i.
Source Firkin
ZeroCC tileable stone texture, edited from pixabay. CC0
Source Sojan Janso
A seamless texture traced from an image on opengameart.org shared by Scouser.
Source Firkin
Prismatic Geometric Tessellation Pattern 4 No Background
Source GDJ
This was formed by distorting an image of a background on Pixabay.
Source Firkin
Fix and cc0 to get the tile this is based on.
Source SliverKnight
From a drawing in 'At home', J. Sowerby, J. Crane and T. Frederick, 1881.
Source Firkin
Kaleidoscope Prismatic Abstract No Background
Source GDJ
Vector version of a JPG that was uploaded to Pixabay by theasad121
Source Firkin
The image depicts the Japanese Edo pattern called "seigaiha" or "青海波" meaning "blue -sea- wave".I hope it's suitable for the summer season.
Source Yamachem
Zero CC tileable wood texture, made by me procedurally in Neo Texture Edit.
Source Sojan Janso
Use shift+alt+i on the selected rectangle in Inkscape to get the tile this is based on
Source Firkin
Formed from a tile based on a drawing from 'Viaggi d'un artista nell'America Meridionale', Guido Boggiani, 1895.
Source Firkin
Prismatic Hypnotic Pattern 2 No Background
Source GDJ
One can never have too few rice paper patterns, so here is one more.
Source Atle Mo
It’s a hole, in a pattern. On your website. Dig it!
Source Josh Green
Remixed from a drawing in 'A Girl in Ten Thousand', Elizabeth Meade, 1896.
Source Firkin
If you like it a bit trippy, this wave pattern might be for you.
Source Ian Soper